EUROSTILE FONT FAMILY TORRENT FULL
A full range of diacritics provides support for over 130 languages. Tabular figures duplex across all weights, case-sensitive forms keep punctuation in line, and an array of alternative glyphs let designers vary its mood at will. This redrawn and expanded version of the best-selling text/display family now boasts nine weights, ranging from the taut, elegant Thin to the massive Ultra, each with a matching italic. A combination of open counters, unequivocal curves, and ruler-straight vertical and horizontal strokes suit it admirably for onscreen display. Its branches are angled in homage to OCR-A. Based on a rounded rectangle, its geometry has been subtly refined for smoother reading.
Aldo Novarese knew it in 1962 when he designed Eurostile. Hermann Zapf knew it in 1952 when he designed Melior. Georg Trump knew it in 1930 when he designed City. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. In addition to the adjustment of spacing, there are also adjustments in the design. The kerning tables, as well, have been individualized for each of these type varieties. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. That of the Bodytypes is adjusted for readability. The most obvious differentiation can be found in the spacing. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions.
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